Recording and Production News
Prism Sound's 'awesome' converters help producer David Fridmann win a Best Engineering GrammyNew York State, US - March 2007: Legendary producer David Fridmann is celebrating success at the 49th Grammy Awards after winning the category for Best Engineered Album - Non Classical for his work on The Flaming Lips' album At War With The Mystics.
Prism Sound is delighted to share in his success as the company's ADA-8XR multichannel converter, Maselec MEA-2EQ and MLA-2 compressor were all used during the recording and mixing sessions, which took place at Fridmann's Tarbox Road Studios in New York State.
The Flaming Lips
As an internationally acclaimed producer, David Fridmann has worked with many top artists including Mercury Rev, Thursday, Phantom Planet, Mogwai, Weezer, Jane's Addiction, Sparklehorse and Low. However, he is most renowned for his work with The Flaming Lips - a collaboration that has earned him the affectionate title of 'the fourth Flaming Lip' because he has co-produced the majority of their records.
Fridmann first became aware of Prism Sound products in 2005 when he was looking at ways to enhance the various surround mixes he was handling. These included The Soft Bulletin and a Flaming Lips video compilation entitled V.O.I.D.
He says: "At the time I was doing a lot of Pro Tools work and realised that the system's built-in converters were adding too much colour to the sound. I was using my 16 bit 44.1KHz Radar-1 as the interface because I didn't want to hear the included converters. Then someone recommended Prism Sound converters so I decided to give the ADA-8XR a try. The results really blew me away and I bought one immediately."
Fridmann adds that when he first got his ADA-8XR, he did some A/B testing to see how much the converter affected the sound.
"At first I thought perhaps I was doing something wrong and directly monitoring the input without it going through the converter because I couldn't hear any difference," he explains. "I became so confused that I eventually went the extra step of actually recording material to prove to myself that it had gone through the converter. The sound really was amazing and as a result I no longer have any reservations about going digital."
The Maselec units were added to Fridmann's arsenal in 2006 and all three products were put to use on the award winning Flaming Lips album, along with a variety of other projects including Sleater Kinney's The Woods, Trespassers William's Having and the latest Thursday album.
"I'm very proud to have won a Grammy," Fridmann adds, "and I'm equally delighted with my Prism Sound units, especially the ADA-8XR. It is a truly awesome converter and I only wish I had more!"
|Tim Gennert Centres His Mixing Environment Around Prism Sound
The company's Lyra 2 Audio Interface is giving this renowned producer and mastering engineer the accuracy he demands from pro audio equipment. . . . (18th February 2018)
|Audio Clicks, Errors And Dropouts Are No Longer A Problem With Prism Sound's Verifile
This exciting new technology, to be launched at NAMM 2018, is now incorporated as standard in Prism Sound's USB range of audio interfaces. . . . (23rd January 2018)
|The B-Side Project Remix Awards Head To Strongroom Studios For 2018
Now in its ninth year, this respected competition continues to provide a cross-genre platform for new artists with a heavyweight industry judging panel. . . . (11th January 2018)
|British Grove Studios Invests In Prism Sound PT-HDX Compatible Interface Cards
This highly respected facility can now guarantee that Pro Tools users will have access to high quality Prism Sound audio long into the future. . . . (2nd January 2018)
|Prism Sound Embraces ASIO Direct Monitoring (ADM) For Key Interface Products
The company's Award-winning Atlas, Titan and Lyra audio interfaces and SADiE workstation software can now deliver a more convenient, automated workflow. . . . (17th December 2017)
|Rare 78rpm Records Are Being Digitized Using Prism Sound Titan Audio Interfaces
This unique community project is aiming to create a digital reference collection of more than 400,000 sides of these delicate shellac discs. . . . (3rd November 2017)
|The Royal Northern College of Music Adds More Prism Sound Converters To Its Stock
This highly respected conservatoire has now deployed nine Prism Sound ADA-8RX multichannel converters across four recording studios. . . . (31st October 2017)
|Prism Sound's Titan Brings Unbeatable Sound Quality to George Gvarjaladze's Project Studio
The Georgian producer, composer and sound designer has invested in three Titan interfaces and linked them to his Pro Tools HDX system. . . . (13th October 2017)
|Prism Sound's Studio Sessions Take Interactive Learning To A New Level
The company is building on the success of its Mic to Monitor brand by introducing one-day hands on events in a recording studio environment. . . . (2nd October 2017)
|William Rowe Joins Prism Sound's Sales Team
A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017)
|La La Land's Composer Justin Hurwitz Chooses Prism Sound Conversion For His Own Studio
The company's Lyra Audio Interface is giving Hurwitz the flexibility to record solo instruments at home. . . . (20th September 2017)
Subscribe to this as an RSS Feed
See Also: News Archive