Recording and Production News
Prism Sound at Broadcast Video ExpoCambridge, UK: We will be using the Broadcast Video Expo 2010 platform to unveil the new SADiE 6 series to the UK broadcast and post production markets. Come and see us on stand (G14) for a demonstration.
The launch of SADiE 6, which took place at IBC 2009, came just 18 months after Prism Sound acquired the internationally acclaimed SADiE brand. In a bold move that broke with tradition Prism Sound introduced a series of the world famous SADiE products that could run as a software-only version.
SADiE digital audio workstations have been used for the last 18 years in broadcast, mastering, post-production and music recording applications. Until now SADiE users have needed specific proprietary hardware to run their systems but with the new SADiE packages, users can access all the speed, power and flexibility of SADiE on any computer running Microsoft Windows with ASIO compatible audio hardware, as well as existing SADiE5 hardware platforms.
The new products are application based and are focusing on the core SADiE expertise of Radio Production, TV/Film Post, Mastering, Archiving & Restoration, and high-level Sound Design. With no dedicated hardware requirements, the product range will certainly be more cost effective, taking take the SADiE brand, reputation and advantages into new markets. The extended compatibility will also significantly reinforce its appeal to professional users around the world.
Jody Thorne, Sales and Marketing Manager for Prism Sound, says: "The decision to launch a native software solution was driven by key customers, including the BBC, Radio France, YLE (Finland) and other SADiE-based international broadcasters, who are extremely keen to use SADiE as the craft editor into the future, but for support reasons have been pressured by their respective IT infrastructures to use native rather than proprietary hardware. By going native, we are opening up the market for SADiE much further and making it far easier for more audio professionals to benefit from our technology. It also opens doors further into the educational world as a software based version of SADiE gives students and educational establishments a far more cost-effective entry point. This is a major development for the brand and one that we feel the market will fully endorse."
Prism Sound will also be showing the SADiE LRX2 multitrack location recording workstation, which is becoming increasingly popular with production companies and film crews that need to record multitrack audio for reality television programmes.
Also on show will be Prism Sound's dScope Series III audio analyzer, including two new analogue-only versions that are aimed at engineers and production line managers who are currently only concerned with audio analysis in the analogue domain. The analogue-only variants give customers access to all the power and flexibility of the dScope Series III audio analyzer platform but at a much lower cost of entry.
Finally, Prism Sound will be hosting two seminars at BE. The first of these, which takes place in the Audio Room on Wednesday February 17th at 3 pm, will see Prism Sound's Test and Measurement specialist Simon Woollard examining Digital Audio Horrors. Despite its scary title, this seminar will give plenty of helpful and useful advice on how to eliminate pops and glitches from audio recordings.
The second seminar on Thursday 18h February at 10 am is entitled Mastering Mastering and will be hosted by SADiE specialist Pete Nash. He will demonstrate how a combination of SADiE and Prism Sound equipment can easily transform an ordinary audio recording into a masterpiece.
|Benjamin Izmajlov Finds Prism Sound's Audio Quality Second To None
This highly respected musician and producer is delighted with the Prism Sound Atlas audio interface he has recently added to his studio set up. . . . (20th March 2018)
|Tim Gennert Centres His Mixing Environment Around Prism Sound
The company's Lyra 2 Audio Interface is giving this renowned producer and mastering engineer the accuracy he demands from pro audio equipment. . . . (18th February 2018)
|Audio Clicks, Errors And Dropouts Are No Longer A Problem With Prism Sound's Verifile
This exciting new technology, to be launched at NAMM 2018, is now incorporated as standard in Prism Sound's USB range of audio interfaces. . . . (23rd January 2018)
|The B-Side Project Remix Awards Head To Strongroom Studios For 2018
Now in its ninth year, this respected competition continues to provide a cross-genre platform for new artists with a heavyweight industry judging panel. . . . (11th January 2018)
|British Grove Studios Invests In Prism Sound PT-HDX Compatible Interface Cards
This highly respected facility can now guarantee that Pro Tools users will have access to high quality Prism Sound audio long into the future. . . . (2nd January 2018)
|Prism Sound Embraces ASIO Direct Monitoring (ADM) For Key Interface Products
The company's Award-winning Atlas, Titan and Lyra audio interfaces and SADiE workstation software can now deliver a more convenient, automated workflow. . . . (17th December 2017)
|Rare 78rpm Records Are Being Digitized Using Prism Sound Titan Audio Interfaces
This unique community project is aiming to create a digital reference collection of more than 400,000 sides of these delicate shellac discs. . . . (3rd November 2017)
|The Royal Northern College of Music Adds More Prism Sound Converters To Its Stock
This highly respected conservatoire has now deployed nine Prism Sound ADA-8RX multichannel converters across four recording studios. . . . (31st October 2017)
|Prism Sound's Titan Brings Unbeatable Sound Quality to George Gvarjaladze's Project Studio
The Georgian producer, composer and sound designer has invested in three Titan interfaces and linked them to his Pro Tools HDX system. . . . (13th October 2017)
|Prism Sound's Studio Sessions Take Interactive Learning To A New Level
The company is building on the success of its Mic to Monitor brand by introducing one-day hands on events in a recording studio environment. . . . (2nd October 2017)
|William Rowe Joins Prism Sound's Sales Team
A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017)
|La La Land's Composer Justin Hurwitz Chooses Prism Sound Conversion For His Own Studio
The company's Lyra Audio Interface is giving Hurwitz the flexibility to record solo instruments at home. . . . (20th September 2017)
Subscribe to this as an RSS Feed
See Also: News Archive