Recording and Production in the News
Prism Sound's audio quality takes the BlameCambridge, UK: Blame is one of the best known and influential names on the UK's Drum & Bass scene. In fact he's been intertwined with it from the start, his Music Takes You on the Moving Shadow label helping to start the sound in the first place and a string of critical and commercial successes since only further cementing his reputation. Stay Forever in 2008, Because of You in 2009, solo album The Music in 2010...you get the picture. In 2012 alone Blame has had several high profile remixes for Stooshe, Sway and Skepta. But that's not all, he's also bought an Orpheus FireWire audio interface.
"As technology has taken some giant leaps recording studio wise within the last couple of years I have now found it possible to have my entire studio on a laptop," he says. "Nowadays I seem to be working from a lot of different locations, so I needed an exceptional audio interface that can travel with me. The Orpheus was my first choice."
Blame's purchase of the unit is partly down to the fact that whenever he visits a mastering room, they always seem to have Prism Sound converters and EQs as standard. "The mastered quality is always incredible and I wanted to have the same high quality back in my production chain," he says. "When mixing I can hear every detail which allows me to make creative decisions easily. When recording vocals or any of my outboard synthesizers the sound reproduced is pure and crystal clear and un-coloured - exactly what is needed!"
His first experiences have confirmed that the investment was worth it too. "As soon as I installed the Orpheus and hit play I could hear the clarity and depth of sound instantly. I started mixing a new track on it straight away and haven't looked back since!' he says. "I also had to record vocals for a new track the next day and was also blown away with the detail and purity of the recordings.
"My Orpheus is now firmly placed as my number one audio interface and I will be using it on all my upcoming projects and recording sessions from now on."
|Prism Sound inside Headliner Magazine
Prism Sound Music and Recording products, the ADA-8XR and Orpheus are discussed in Headliner Magazine. . . . (15th August 2018)
|Pro7ect's 2019 Songwriting Retreat Announces its Second Headline Producer
The exceptionally talented producer/songwriter Gethin Pearson will host the Prism Sound pop up studio at Hotel Pelirocco during Pro7ect's highly collaborative three-day retreat . . . (31st July 2018)
|Prism Sound and SADiE Help Capture Gregorian Introits in Latin and English
A Lyra audio interface and SADiE 6 software delivered the perfect solution for a complex location recording project at Buckfast Abbey in Devon. . . . (11th June 2018)
|Prism Sound Appoints Sonic Lab as Its Distributor in Taiwan
Based in Taipei, Sonic Lab has an extensive customer base that encompasses local pro audio, broadcast and film scoring facilities. . . . (6th June 2018)
|Ralph Salmins Adds Prism Sound Conversion To the Bunker's Equipment List
The audio quality of Prism Sound's flagship ADA-8XR multichannel converter proved just too good to resist. . . . (1st June 2018)
|Carlo Camera Extols The Virtues Of Prism Sound Audio Conversion
The Italian mastering engineer has equipped his facility with a top of the range Prism Sound ADA-8XR because it offers no compromise A/D D/A conversion. . . . (9th May 2018)
|Prism Sound Boosts Its US Sales Force With Two Key Appointments
Eric Klein and Scott D Ray join the company to promote its world-renowned audio recording products. . . . (19th April 2018)
|Prism Sound's Lyra 2 Brings 'Off The Scale' Sound Quality to US Band UNA
American band UNA are delighted with their new Prism Sound Lyra 2 Audio Interface, which they won at NAMM after entering our prize draw competition. . . . (10th April 2018)
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