Recording and Production News
Prism Sound's audio quality takes the BlameCambridge, UK: Blame is one of the best known and influential names on the UK's Drum & Bass scene. In fact he's been intertwined with it from the start, his Music Takes You on the Moving Shadow label helping to start the sound in the first place and a string of critical and commercial successes since only further cementing his reputation. Stay Forever in 2008, Because of You in 2009, solo album The Music in 2010...you get the picture. In 2012 alone Blame has had several high profile remixes for Stooshe, Sway and Skepta. But that's not all, he's also bought an Orpheus FireWire audio interface.
"As technology has taken some giant leaps recording studio wise within the last couple of years I have now found it possible to have my entire studio on a laptop," he says. "Nowadays I seem to be working from a lot of different locations, so I needed an exceptional audio interface that can travel with me. The Orpheus was my first choice."
Blame's purchase of the unit is partly down to the fact that whenever he visits a mastering room, they always seem to have Prism Sound converters and EQs as standard. "The mastered quality is always incredible and I wanted to have the same high quality back in my production chain," he says. "When mixing I can hear every detail which allows me to make creative decisions easily. When recording vocals or any of my outboard synthesizers the sound reproduced is pure and crystal clear and un-coloured - exactly what is needed!"
His first experiences have confirmed that the investment was worth it too. "As soon as I installed the Orpheus and hit play I could hear the clarity and depth of sound instantly. I started mixing a new track on it straight away and haven't looked back since!' he says. "I also had to record vocals for a new track the next day and was also blown away with the detail and purity of the recordings.
"My Orpheus is now firmly placed as my number one audio interface and I will be using it on all my upcoming projects and recording sessions from now on."
|Award Winning Songwriter Iain Archer Invests In Prism Sound's Audio Quality
The company's Lyra 2 Audio Interface is delivering production quality audio, both on the road and in the studio. . . . (24th May 2017)
|B-SIDE PROJECT LAUNCHES 2017 ANNUAL GLOBAL REMIX CONTEST TO FIND EMERGING MUSIC TALENT
Now in its seventh year, the respected competition continues to provide a cross-genre platform for new artists with a heavyweight industry judging panel. . . . (24th May 2017)
|Prism Sound's Titan Brings Speed and Accuracy to Richard Earnshaw's Mixes
With an ever-increasing workload, Earnshaw says this powerful Multi-channel Audio Interface has delivered all he hoped for. . . . (16th May 2017)
|Bob Katz To Deliver Prism Sound's US Mic To Monitor Keynote Speech
This popular educational seminar is returning to the USA in March 2017 with a series of events for students, hobbyists and recording professionals. . . . (27th February 2017)
|Doc Powell Brings Prism Sound Clarity To His Latest Studio Project
The Grammy nominated guitarist and producer is using the company's Atlas Audio Interface for the entire recording process. . . . (23rd February 2017)
|Hugh Hardie Adds Prism Sound's Renowned Audio Quality To His Workflow
The acclaimed drum & bass producer has made the company's Lyra Audio Interface a key component in his Bristol-based project studio. . . . (27th September 2016)
|Prism Sound's 2016 Mic to Monitor Tour Heads to BPM PRO
Over the course of two days, there will be inspirational panel discussions, informative seminars and opportunities to demo high end equipment. . . . (31st August 2016)
|Producer/Remixer Glen Nicholls Buys Two Prism Sound Titans
The units are providing all the inputs Nicholls needs to connect to a range of tape machines and outboard FX. . . . (30th August 2016)
|Prism Sound at AES Los Angeles 2016
The company will show its flagship ADA-8XR multichannel converter and its full range of USB audio interfaces. . . . (23rd August 2016)
|B-Side Project Launches 2016 Annual Global Remix Contest
Registration for B-Side Project 2016 is officially open, marking the sixth consecutive year of the renowned, global remix contest . . . (19th August 2016)
|Classical Supremo Paul Carasco Adds A Prism Sound Atlas Audio Interface To His Recording Rig
The renowned Australian pianist, sound engineer and film director is using Atlas to simplify his workflow. . . . (17th August 2016)
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