Recording and Production News
Award-Winning composer Michael Price invests in Prism Sound's high quality audioCambridge, UK, 25 March 2013: Award-winning composer and producer Michael Price is using a Prism Sound Maselec Master Series MEA-2 equaliser on his latest project - creating the music for ITV's acclaimed supernatural drama series Lightfields.
"I wanted something fabulous that could add some sparkle and warmth to the TV mixes we were doing in the studio for Lightfields. I loved the MEA-2 when I'd used it at Abbey Road so I decided to invest in one for my own studio," Michael explains.
Prism Sound's MEA-2 is a stereo or two-channel, four-band precision equalizer that is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required. The unit provides a very transparent signal path where only the desired equalization is obtained, without adding any particular sonic signature.
Developed for Prism Sound by engineer/producer Leif Mases, who has worked with a diverse range of artists including Abba, Led Zeppelin, Jeff Beck and Black Sabbath, the MEA-2 is one of a number of products in the Maselec Master Series range. All of these combine Leif Mases' experience with the creative process and Prism Sound's focus on engineering and technical excellence to ensure the delivery of great-sounding audio in an intuitive and easy-to-use package.
Michael, who has worked on more than 30 major studio pictures, says: "The MEA-2 is incredibly well made, but more than that it has a peculiar sonic ability to make things just sound better, without stamping too much of its own opinion on the music. It's no surprise that mastering engineers love them, but it's also a super useful thing to have in a mix studio."
Michael bought his MEA-2 from Studioxchange, the official Prism Sound Retail Partner. It now has a permanent home in his project studio in Berkhamsted.
"This studio has been mostly digitally equipped up till now," he says, "but I'm really excited about getting more into high-quality analogue gear. I'm really delighted with the sound I'm achieving with the Prism Sound MEA-2 and we always try and specify them when we are recording in studios like Abbey Road. Now that I own one, try prising it out of my hands. It's going nowhere!"
As a film, TV, classical music and contemporary dance composer, equally at ease writing in full orchestral or more electronic idioms, Michael is in great demand. He is currently writing a new album for Erased Tapes Records, which will be released on vinyl later in the year, and is scoring the new independent British film, Delicious, on which Michael makes his producer debut.
He started his career as assistant to the film composer, Michael Kamen (Robin Hood Prince of Thieves, Lethal Weapon), then worked as a music editor (Lord of the Rings, Children of Men and Love Actually), before returning to composition. Since then he has written the score for BBC's critically acclaimed Sherlock series with David Arnold - a project that won them a Royal Television Society Award and BAFTA and EMMY nominations - and composed music for the Inbetweeners movie, Horrid Henry: The Movie and Cheerful Weather for the Wedding.
|Tim Gennert Centres His Mixing Environment Around Prism Sound
The company's Lyra 2 Audio Interface is giving this renowned producer and mastering engineer the accuracy he demands from pro audio equipment. . . . (18th February 2018)
|Audio Clicks, Errors And Dropouts Are No Longer A Problem With Prism Sound's Verifile
This exciting new technology, to be launched at NAMM 2018, is now incorporated as standard in Prism Sound's USB range of audio interfaces. . . . (23rd January 2018)
|The B-Side Project Remix Awards Head To Strongroom Studios For 2018
Now in its ninth year, this respected competition continues to provide a cross-genre platform for new artists with a heavyweight industry judging panel. . . . (11th January 2018)
|British Grove Studios Invests In Prism Sound PT-HDX Compatible Interface Cards
This highly respected facility can now guarantee that Pro Tools users will have access to high quality Prism Sound audio long into the future. . . . (2nd January 2018)
|Prism Sound Embraces ASIO Direct Monitoring (ADM) For Key Interface Products
The company's Award-winning Atlas, Titan and Lyra audio interfaces and SADiE workstation software can now deliver a more convenient, automated workflow. . . . (17th December 2017)
|Rare 78rpm Records Are Being Digitized Using Prism Sound Titan Audio Interfaces
This unique community project is aiming to create a digital reference collection of more than 400,000 sides of these delicate shellac discs. . . . (3rd November 2017)
|The Royal Northern College of Music Adds More Prism Sound Converters To Its Stock
This highly respected conservatoire has now deployed nine Prism Sound ADA-8RX multichannel converters across four recording studios. . . . (31st October 2017)
|Prism Sound's Titan Brings Unbeatable Sound Quality to George Gvarjaladze's Project Studio
The Georgian producer, composer and sound designer has invested in three Titan interfaces and linked them to his Pro Tools HDX system. . . . (13th October 2017)
|Prism Sound's Studio Sessions Take Interactive Learning To A New Level
The company is building on the success of its Mic to Monitor brand by introducing one-day hands on events in a recording studio environment. . . . (2nd October 2017)
|William Rowe Joins Prism Sound's Sales Team
A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017)
|La La Land's Composer Justin Hurwitz Chooses Prism Sound Conversion For His Own Studio
The company's Lyra Audio Interface is giving Hurwitz the flexibility to record solo instruments at home. . . . (20th September 2017)
Subscribe to this as an RSS Feed
See Also: News Archive