Recording and Production in the News
Max Gilkes upgrades his mastering facility with SADiE 6 and OrpheusCambridge, UK, 6 June 2013: Producer Max Gilkes has upgraded his Brighton-based mastering and post production facility 1 Sonic by installing SADiE 6 software for Mastering and a Orpheus FireWire audio interface..
Max Gilkes at 1 Sonic
Gilkes, who founded 1 Sonic eight years ago, says the support offered by Prism Sound was a key factor in his decision to invest in the company's products.
"I was previously using Peak as a playlist editor and doing most other things on Pro Tools," he explains. "But as it was time for an upgrade I decided to go with a company that I knew I could have a good working relationship with, and one that was also based in the UK."
With a client list that includes Ninja Tune, Big Dada, Sony (France), Smart Move Productions, Mr. Bongo, Keep Up, Silverland and Mission, Gilkes is rarely out of the studio. His recent credits have included Fink, Dobie, Roots Manuva, The Skints, Deco Child, Raffertie, Eliza Carthy and Prince Fatty.
The facility itself is mainly used for mastering and mixing, but it also boasts a live room with 8 tie-lines that is large enough to record drums.
"The outboard in the studio is primarily for tracking, so there are some nice pre's and compressors," Gilkes says. "I also have a master section by Audient, PMC and Yamaha monitors, Pro-Tools, various classic guitar and bass amps and a range of microphones - not to mention an over-used tea pot!"
Moving from one software platform to another can be intimidating, but Gilkes says he has found the transition to SADiE 6 far less painful than he anticipated.
"It's always hard work making the transition from one system that you are particularly well versed with to a whole new environment, but SADiE 6 is very intuitive and easy to use," he says. "I'm really enjoying the facilities it provides. The editing facilities, in particular, are great and I like the PQ and DDP tools. However, the sound quality is the most outstanding feature and I am really impressed by that."
Sound quality also played a part in Gilkes' decision to buy a Prism Sound Orpheus FireWire audio interface.
"It was a no brainer, really," he says. "The studio needed to make a significant step up in convertor quality and Orpheus delivered the transparency and clarity I was looking for, both as an A/D and a D/A converter. It has great sounding pre's and I like the interface features for multi-tracking in Pro Tools."
Gilkes is now using SADiE 6 and Orpheus on a variety of projects, including mastering an album for French artist Mayra Andrade on Sony (France), recording tracks for Congo Natty, completing a debut album for Chevron, recording drums for the next Grasscut (Ninja Tune) album, finishing backline tracking for a band called Bentcousin, which is releasing a three-track single through Team-Love NY and completing an album for a local brighton band called the Meow Meows.
And if that work schedule isn't intensive enough, Gilkes is also producing and co-writing with the legendary Russell Stone of R&J Stone fame.
"The Russell Stone project is very interesting as all tracks are vocal/non-verbal and based on free improvisations." He says. "The album, which is called HUMU, is very nearly finished and should be out in September."
|Homerecords Founder Michel Van Achter Invests In Prism Sound Conversion For His Belgium Studios
This highly respected musician and producer has bought three Atlas and three Titan Audio Interfaces for his recording, mixing and mastering rooms in Liège. . . . (13th November 2018)
|Prism Sound CALLIA wins Best DAC in Sound+Image's 2019 A/V awards!!
CALLIA wins "DAC of the Year" in the Australian 2019 Sound+Image Awards. . . . (6th November 2018)
|Prism Sound shake up Audio Test at AES New York 2018 with full-featured high performance audio test solutions from only $3395!
On show for the first time will be the very latest dScope M1 audio interfaces for Prism Sound's dScope Series III audio test & measurement software. . . . (10th October 2018)
|Producer Mark Maitland Buys British To Equip His New Studio
UK manufacturers Prism Sound and PMC have both played an important role creating Mark Maitland's new recording and mixing studio. . . . (9th October 2018)
|Prism Sound's Titan Audio Interface Give Composer Sacha Puttnam Peace Of Mind
Titan at the heart of his recording set up, this highly respected musician says he has the space he needs to focus on his performance. . . . (10th September 2018)
|Prism Sound Enhances The SADiE User Experience With A New SADiE 6 Software Upgrade
Expanded functionality and much improved latency figures are just some of the benefits delivered by SADiE V6.1.13 . . . (30th August 2018)
|Prism Sound behind-the-scenes with Del Amitri on tour via Headliner Magazine
Learn how the Prism Sound ADA-8XR is implemented into Del Amitri's live setup in the latest issue of Headliner Magazine. . . . (15th August 2018)
|Prism Sound inside FLYNT's state-of-the-art studio via Headliner Magazine
Prism Sound Music and Recording products, the ADA-8XR and Orpheus are discussed in the August 2018 issue of Headliner Magazine. . . . (15th August 2018)
|Pro7ect's 2019 Songwriting Retreat Announces its Second Headline Producer
The exceptionally talented producer/songwriter Gethin Pearson will host the Prism Sound pop up studio at Hotel Pelirocco during Pro7ect's highly collaborative three-day retreat . . . (31st July 2018)
|Prism Sound and SADiE Help Capture Gregorian Introits in Latin and English
A Lyra audio interface and SADiE 6 software delivered the perfect solution for a complex location recording project at Buckfast Abbey in Devon. . . . (11th June 2018)
Subscribe to this as an RSS Feed
See Also: News Archive