Recording and Production in the News
Prism Sound helps composer John Lunn create his unique soundCambridge, UK, 11 October 2013: Noted TV and film composer John Lunn has recently acquired a Prism Sound/Maselec MEA-2 analogue equaliser, which he has been using to create the score for the ITV/Carnival Films and Television period drama Downton Abbey.
Lunn, who received Emmys in 2012 and 2013 for Downton Abbey, has a highly intelligent and sensitive approach to sound that allows his compositions to hit at the emotional heart of a piece. His award tally also includes an RTS Award in 2010, nominations for a BAFTA and Ivor Novello for Sky's Going Postal and a BAFTA Award for the BBC Dickens adaptation, Little Dorrit. Classically-trained yet contemporary in attitude, he combines the highest production values with a continual desire to discover new colours and sounds, and is continuously in great demand.
Lunn's audio setup embraces an eclectic mix of equipment, which has been assembled to suit his needs.
“Most of it is analogue, as I'm not convinced by digital emulations," he explains. "A couple of months back, I bought the Maselec MLA-3 tri-band compressor for a project I was working on, The White Queen, which used lots of low percussion and sound design, plus a real orchestra. However, the mastering EQ I had been using up to that point suddenly needed repair and I thought I would take the opportunity to try a few things out."
As an existing Prism Sound user – he already owns a Prism Sound ADA-8XR multichannel converter and an Orpheus FireWire interface - Lunn needed little persuading to try the company’s Maselec MEA-2. Once he did, he says it was immediately obvious that this was the Equaliser he was looking for.
He explains: "It was particularly relevant for Downton Abbey where I needed a very clean and totally transparent treble boost for the piano and strings to cut through the dialogue. KMR gave me the unit to demo and it worked immediately with absolutely no problems."
Lunn says that he now uses his MEA-2 unit as mastering EQ for all of his film and TV work. The latest series of Downton Abbey, mixed using Lunn's MEA-2, has been a runaway ratings hit, peaking at 10.4m viewers, a 39.4% market share of the British TV market (source: The Hollywood Reporter).
Prism Sound's Maselec MEA-2 is a stereo or two-channel, four-band precision analogue equaliser with stepped Q/shelf, frequency and cut/boost controls on each band. Designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required, it provides fully-stepped controls for precision and repeatability, across all parameters.
The MEA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MEA-2 features a fine 0.5dB gain adjustment at low cut/boost settings, and a maximum cut/boost per band of 8dB. The MEA-2 can provide precise equalisation with minimal side effects, as it is designed to provide a very transparent signal path where only the desired equalisation effect is obtained without adding any particular sonic signature.
|Homerecords Founder Michel Van Achter Invests In Prism Sound Conversion For His Belgium Studios
This highly respected musician and producer has bought three Atlas and three Titan Audio Interfaces for his recording, mixing and mastering rooms in Liège. . . . (13th November 2018)
|Prism Sound CALLIA wins Best DAC in Sound+Image's 2019 A/V awards!!
CALLIA wins "DAC of the Year" in the Australian 2019 Sound+Image Awards. . . . (6th November 2018)
|Prism Sound shake up Audio Test at AES New York 2018 with full-featured high performance audio test solutions from only $3395!
On show for the first time will be the very latest dScope M1 audio interfaces for Prism Sound's dScope Series III audio test & measurement software. . . . (10th October 2018)
|Producer Mark Maitland Buys British To Equip His New Studio
UK manufacturers Prism Sound and PMC have both played an important role creating Mark Maitland's new recording and mixing studio. . . . (9th October 2018)
|Prism Sound's Titan Audio Interface Give Composer Sacha Puttnam Peace Of Mind
Titan at the heart of his recording set up, this highly respected musician says he has the space he needs to focus on his performance. . . . (10th September 2018)
|Prism Sound Enhances The SADiE User Experience With A New SADiE 6 Software Upgrade
Expanded functionality and much improved latency figures are just some of the benefits delivered by SADiE V6.1.13 . . . (30th August 2018)
|Prism Sound behind-the-scenes with Del Amitri on tour via Headliner Magazine
Learn how the Prism Sound ADA-8XR is implemented into Del Amitri's live setup in the latest issue of Headliner Magazine. . . . (15th August 2018)
|Prism Sound inside FLYNT's state-of-the-art studio via Headliner Magazine
Prism Sound Music and Recording products, the ADA-8XR and Orpheus are discussed in the August 2018 issue of Headliner Magazine. . . . (15th August 2018)
|Pro7ect's 2019 Songwriting Retreat Announces its Second Headline Producer
The exceptionally talented producer/songwriter Gethin Pearson will host the Prism Sound pop up studio at Hotel Pelirocco during Pro7ect's highly collaborative three-day retreat . . . (31st July 2018)
|Prism Sound and SADiE Help Capture Gregorian Introits in Latin and English
A Lyra audio interface and SADiE 6 software delivered the perfect solution for a complex location recording project at Buckfast Abbey in Devon. . . . (11th June 2018)
Subscribe to this as an RSS Feed
See Also: News Archive