Recording and Production News
Fred Falke dubs Lyra the pinnacle of ADA conversionCambridge February 2014: Renowned French DJ, remixer and producer Fred Falke was so bowled over by the Lyra 2 audio interface that he bought one after just one listen.
"It simply surpasses every other competitor by far," he says. "The AD conversion is so clear that recording becomes effortless, and the DA is just unreal: you can hear every little detail in a mix in a way that you never thought was possible. It's like watching the stars through the Hubble telescope."
One of the most prolific and in-demand producers around, Fred Falke earned global recognition as a DJ, producer and remixer with his debut release Intro. Now based in Los Angeles, Falke's career has spanned nearly two decades and he has consistently proven his versatility with releases such as Golden Cage and reworks of Nervo and Robyn tracks. His ability to bridge the gap between pop and electronic dance music is evident with his remixes for artists from Katy Perry and Ke$ha to, more recently, Lana Del Rey, Jason Derulo and Selena Gomez. He has also written and produced for Ellie Goulding and Florrie and co-wrote Amelia Lilly’s track You Bring Me Joy that reached #2 in the UK charts.
Falke says he first came across the recently introduced Lyra 2 audio interface during a recording session at Metropolis Studios in London. "It sounded so good that I immediately bought a unit myself," he says. "I have subsequently gone on to use it on a number of tracks, including remixes of Tiesto's Redlights and Foxes' Let's Go."
Prism Sound's Lyra has built up a loyal following among musicians and DJs because it is so portable and versatile - something that Falke says is essential to him. "It doesn't matter where I'm working, I have this little 'magic box' in my bag and can achieve superb recording and mixing," he says.
He connects the interface via USB to his MacPro, utilising the line-ins and also the preamp inputs. "When mixing, my DAW master out goes into the outboard through line-outs one to two, and comes back into the Lyra line-ins," he explains.
Ease of use is also high on Falke's list of criteria. Part of his signature approach is his love of crafting synth sounds and beats with synthesisers, drum machines and samplers.
"They all have a specific sonic signature," explains Falke. "Instruments and vocals carry emotions. The Lyra manages to capture that with an unmatched perfection. The controller software is a no-brainer, offering the same zero-latency recording as working from a desk."
In perhaps the ultimate testament to the quality of the Lyra, Falke explains that when he took delivery of it, he listened to many of his favourite songs and tracks through it right away.
"Even though I have heard these songs a million times before, all of a sudden I heard things I never heard before," he recalls. "It's hard to describe how good it is; you have to experience it to realize what you've been missing: Prism Sound is the pinnacle of ADA conversion."
Based on the award-winning and critically-acclaimed Orpheus interface, Prism Sound’s Lyra allows music recording professionals to access the power and sophistication of the Orpheus audio path and clock circuitry, but in a smaller package and at a much improved price point.
The Lyra 1 interface has two analogue input channels - one for instrument/line and one for mic/line - plus two DA output channels and optical-only digital I/O. Lyra 2 includes two AD input channels with switchable microphone, instrument or line input modes and four DA output channels. Both versions incorporate new ARM Cortex processor design offering class-compliant USB interfacing that allows for seamless integration with both Macs and PCs. Both versions also offer digital volume control, a low latency ‘console-quality’ digital mixer for foldback monitoring and optical SPDIF capability.
|Prism Sound and SADiE Help Capture Gregorian Introits in Latin and English
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|Prism Sound Appoints Sonic Lab as Its Distributor in Taiwan
Based in Taipei, Sonic Lab has an extensive customer base that encompasses local pro audio, broadcast and film scoring facilities. . . . (6th June 2018)
|Ralph Salmins Adds Prism Sound Conversion To the Bunker's Equipment List
The audio quality of Prism Sound's flagship ADA-8XR multichannel converter proved just too good to resist. . . . (1st June 2018)
|Carlo Camera Extols The Virtues Of Prism Sound Audio Conversion
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|Prism Sound Boosts Its US Sales Force With Two Key Appointments
Eric Klein and Scott D Ray join the company to promote its world-renowned audio recording products. . . . (19th April 2018)
|Prism Sound's Lyra 2 Brings 'Off The Scale' Sound Quality to US Band UNA
American band UNA are delighted with their new Prism Sound Lyra 2 Audio Interface, which they won at NAMM after entering our prize draw competition. . . . (10th April 2018)
|Prism Sound brings recording studio quality to the Axpona Show with the Callia DAC
Visitors to Axpona will benefit from a 20% discount on the purchase of a Prism Sound Callia. . . . (28th March 2018)
|Prism Sound Sponsors AES Archiving, Preservation & Restoration Conference
The company's audio interfaces and converters are ideally suited to the quality demands of this important market. . . . (28th March 2018)
|Benjamin Izmajlov Finds Prism Sound's Audio Quality Second To None
This highly respected musician and producer is delighted with the Prism Sound Atlas audio interface he has recently added to his studio set up. . . . (20th March 2018)
|Tim Gennert Centres His Mixing Environment Around Prism Sound
The company's Lyra 2 Audio Interface is giving this renowned producer and mastering engineer the accuracy he demands from pro audio equipment. . . . (18th February 2018)
|Audio Clicks, Errors And Dropouts Are No Longer A Problem With Prism Sound's Verifile
This exciting new technology, to be launched at NAMM 2018, is now incorporated as standard in Prism Sound's USB range of audio interfaces. . . . (23rd January 2018)
|The B-Side Project Remix Awards Head To Strongroom Studios For 2018
Now in its ninth year, this respected competition continues to provide a cross-genre platform for new artists with a heavyweight industry judging panel. . . . (11th January 2018)
|British Grove Studios Invests In Prism Sound PT-HDX Compatible Interface Cards
This highly respected facility can now guarantee that Pro Tools users will have access to high quality Prism Sound audio long into the future. . . . (2nd January 2018)
|Prism Sound Embraces ASIO Direct Monitoring (ADM) For Key Interface Products
The company's Award-winning Atlas, Titan and Lyra audio interfaces and SADiE workstation software can now deliver a more convenient, automated workflow. . . . (17th December 2017)
|Rare 78rpm Records Are Being Digitized Using Prism Sound Titan Audio Interfaces
This unique community project is aiming to create a digital reference collection of more than 400,000 sides of these delicate shellac discs. . . . (3rd November 2017)
|The Royal Northern College of Music Adds More Prism Sound Converters To Its Stock
This highly respected conservatoire has now deployed nine Prism Sound ADA-8RX multichannel converters across four recording studios. . . . (31st October 2017)
|Prism Sound's Titan Brings Unbeatable Sound Quality to George Gvarjaladze's Project Studio
The Georgian producer, composer and sound designer has invested in three Titan interfaces and linked them to his Pro Tools HDX system. . . . (13th October 2017)
|Prism Sound's Studio Sessions Take Interactive Learning To A New Level
The company is building on the success of its Mic to Monitor brand by introducing one-day hands on events in a recording studio environment. . . . (2nd October 2017)
|William Rowe Joins Prism Sound's Sales Team
A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017)
|La La Land's Composer Justin Hurwitz Chooses Prism Sound Conversion For His Own Studio
The company's Lyra Audio Interface is giving Hurwitz the flexibility to record solo instruments at home. . . . (20th September 2017)
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