Recording and Production News
Prism Sound Embraces ASIO Direct Monitoring (ADM) For Key Interface Products
The company’s Award-winning Atlas, Titan and Lyra audio interfaces and SADiE workstation software can now deliver a more convenient, automated workflow.
Cambridge, UK. December 17th 2017: In a move that will significantly improve the end user experience for its audio interface customers, Prism Sound has upgraded four of its key products to ensure that they all support ASIO Direct Monitoring (ADM).
Prism Sound ADM software
The company’s Titan, Atlas and Lyra audio interfaces and its SADiE workstation software now include ADM, which allows mixers in the interface device to be controlled automatically from Digital Audio Workstation (DAW) software. As a result, producers and musicians recording to a computer workstation with performer foldback can now achieve near zero latency by simply enabling ADM in the software.
SADiE turnkey recording systems and other hardware based Time Division Multiplexing (TDM) recording systems like Pro Tools can already provide low latency monitoring through their own integrated hardware. They achieve this by implementing the processing for channels and mixers in proprietary DSP, thus removing their dependence on the computer and ensuring that they are not subjected to computer I/O latencies. However, in ‘native’ systems where the DSP processing is carried out by the host computer’s Central Processing Unit, the computer’s I/O latencies are in the signal path and can result in unwanted delay in the monitor outputs.
By incorporating ADM into Titan, Atlas and Lyra, Prism Sound is ensuring that each of these products has a common protocol that enables the workstation software to control separate dedicated monitoring mixers in the audio interface device. Input monitoring operates directly through the interface – i.e. exactly like a hardware TDM system – you don’t ever have to worry about input monitoring delays again.
“Many audio interfaces already have mixer functionality for low latency monitoring, but don’t offer any integration with workstation (DAW) software,” says Prism Sound’s Sales and Marketing Director Graham Bowell. “This means that, when recording, it is necessary to manually mute the channel in the workstation and then enable the monitor path in the interface mixer. By including ADM functionality in our audio interfaces, it is possible to automate the operation of the interface mixer by combining it with muting of the corresponding channel in the workstation. This is a much smoother and more convenient solution for end users who want to switch to a low latency input monitor path for recording.”
The premium “Sound Suite” version of Prism Sound’s SADiE digital audio workstation also now supports ADM and it therefore able to provide near zero latency monitoring in ‘native’ systems with Prism Sound ADM compatible interfaces as well as ADM capable interfaces from other manufacturers.
|British Grove Studios Invests In Prism Sound PT-HDX Compatible Interface Cards
This highly respected facility can now guarantee that Pro Tools users will have access to high quality Prism Sound audio long into the future. . . . (2nd January 2018)
|Rare 78rpm Records Are Being Digitized Using Prism Sound Titan Audio Interfaces
This unique community project is aiming to create a digital reference collection of more than 400,000 sides of these delicate shellac discs. . . . (3rd November 2017)
|The Royal Northern College of Music Adds More Prism Sound Converters To Its Stock
This highly respected conservatoire has now deployed nine Prism Sound ADA-8RX multichannel converters across four recording studios. . . . (31st October 2017)
|Prism Sound's Titan Brings Unbeatable Sound Quality to George Gvarjaladze's Project Studio
The Georgian producer, composer and sound designer has invested in three Titan interfaces and linked them to his Pro Tools HDX system. . . . (13th October 2017)
|Prism Sound's Studio Sessions Take Interactive Learning To A New Level
The company is building on the success of its Mic to Monitor brand by introducing one-day hands on events in a recording studio environment. . . . (2nd October 2017)
|William Rowe Joins Prism Sound's Sales Team
A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017)
|La La Land's Composer Justin Hurwitz Chooses Prism Sound Conversion For His Own Studio
The company's Lyra Audio Interface is giving Hurwitz the flexibility to record solo instruments at home. . . . (20th September 2017)
|Fabio Lendrum Trusts Prism Sound To Deliver High Quality Results
The acclaimed producer and engineer has now invested in a Prism Sound Lyra 2 Audio Interface for his Studio 255 in London. . . . (11th September 2017)
|30 Years And Counting - Prism Sound Celebrates Its Anniversary At AES New York
The company's entire range of high quality audio products will be on show during the AES Convention in October 2017. . . . (7th September 2017)
|Prism Sound Sponsors Pro7ect's 2018 Songwriting Retreat
Prism Sound's acclaimed audio converters and interfaces will feature in a pop up studio manned by Mercury Award Winning producer and composer Talvin Singh. . . . (15th August 2017)
|Birmingham Conservatoire Makes a Major Investment in Prism Sound's High Quality Audio Conversion
20 of the company's flagship ADA-8XR multichannel converters have been installed in the Conservatoire's new facilities. . . . (11th August 2017)
|Robert L Smith Will Share His Production Knowledge At Mic To Monitor 2017
Prism Sound's popular educational seminar is heading back to the USA and Canada this Autumn with an exciting programme of five events. . . . (19th June 2017)
|Award Winning Songwriter Iain Archer Invests In Prism Sound's Audio Quality
The company's Lyra 2 Audio Interface is delivering production quality audio, both on the road and in the studio. . . . (24th May 2017)
|B-SIDE PROJECT LAUNCHES 2017 ANNUAL GLOBAL REMIX CONTEST TO FIND EMERGING MUSIC TALENT
Now in its seventh year, the respected competition continues to provide a cross-genre platform for new artists with a heavyweight industry judging panel. . . . (24th May 2017)
|Prism Sound's Titan Brings Speed and Accuracy to Richard Earnshaw's Mixes
With an ever-increasing workload, Earnshaw says this powerful Multi-channel Audio Interface has delivered all he hoped for. . . . (16th May 2017)
|Bob Katz To Deliver Prism Sound's US Mic To Monitor Keynote Speech
This popular educational seminar is returning to the USA in March 2017 with a series of events for students, hobbyists and recording professionals. . . . (27th February 2017)
|Doc Powell Brings Prism Sound Clarity To His Latest Studio Project
The Grammy nominated guitarist and producer is using the company's Atlas Audio Interface for the entire recording process. . . . (23rd February 2017)
Subscribe to this as an RSS Feed
See Also: News Archive