Recording and Production News
Benjamin Izmajlov Finds Prism Sound’s Audio Quality Second To None
This highly respected musician and producer is delighted with the Prism Sound Atlas audio interface he has recently added to his studio set up.
Cambridge, UK: March 20th 2018: ‘Rock solid’, that is how producer, musician and composer Benjamin Izmajlov describes the Prism Sound Atlas audio interface that he recently installed in his studio in Slovenia. But even more important is the fact that Atlas is portable, which means Izmajlov can easily take it to any other studio he works in.
“I wanted an audio interface that had the sound quality of a big studio but was also mobile,” he explains. “Whenever I came across Prism Sound products I loved the sound, especially for classical/instrumental music, because it truly resembled what I heard when played. For this reason, choosing a Prism Sound Atlas wasn’t a difficult decision - and it has turned out to be exactly what I had hoped for.”
Benjamin Izmajlov Finds Prism Sound’s Audio Quality Second To None
Widely regarded as one of the most successful musicians of his generation, Benjamin Izmajlov is an accomplished concert violinist as well as a composer, arranger, sound engineer, producer and conductor of symphonic music. He is the founder of the International Academy Guiseppe Tartini, the Slovenian Summer Academy and the Slovenian Diplomatic Concert, and he regularly acts as artistic director and producer of various music projects. Since 2012, he has been a guest soloist at the Moscow Philharmonic and, together with his wife the mezzo soprano Manca Izmajlova, is the holder of the Russian Orthodox Church’s Medal of Cyril and Methodius.
Izmajlov is currently working on a new album entitled The Russian Collection: 12 Moments, which gives a fresh interpretation to a selection of the most beloved Russian songs. With Manca Izmajlova as the soloist, the album features the Russian State Symphony Cinema Orchestra conducted by Sergei Skripka. It was recorded at Mosfilm’s Studio One with sound engineer Maria Sobeleva and at Studio Jork in Slovenia.
“This project is very important to me because I’m re-arranging and re-orchestrating the most legendary Russian songs from the 20th Century,” Izmajlov says. “It is a challenge to do something new without losing the soul of the song, therefore I am the producer, the orchestrator and the violin soloist – and I’m doing all the editing, vocal recording and mixing. That makes me the guy to blame if something isn’t right.”
Having a Prism Sound Atlas audio interface has made this complex project much easier for Izmajlov because he has been able to rely on professional studio sound quality, no matter where he worked.
“Nowadays, lots of my projects are done in different places,” Izmajlov says. “Sometimes a studio has the vibe for the artist or the microphone I want to use, while another might have a mixing desk or gear that I prefer. Atlas makes the transition from one studio to another much easier because I can hook it up wherever I am recording, even on location, and achieve the best possible results with no compromise. The sound is always crystal clear and uncoloured.”
Prior to starting his current project, Izmajlov conducted a microphone shootout with different preamps through Atlas. He split the voice signal and recorded them directly through the Atlas input and through other preamps.
“One of them was a Millenia and later, in my studio, I sent the recorded direct track through the Millenia again and recorded it back,” he explains. “When played back together, both ‘Millenia’ tracks were identical. This shows that the Atlas preamps and converters are so transparent and true to the source signal that whatever I record can be subsequently processed with whatever gear I want to use without losing any of the qualities of the original signal. This is very handy when you are working in different studio settings.”
Izmajlov uses his Atlas with a Mac Book and a PC and says it is equally effective with both systems. His studio is equipped with different ITB DAWs with various plugins, a pair of PSI A17-M monitors, Millenia HV-37 preamp, a TC M3000 reverb, an Allen & Heath desk and a Steinberg MR816X interface that he uses for headphones foldback mix when tracking or as an extra 8 channel input. Acquiring Atlas has given him the impetus to expand these facilities and he is now planning to upgrade so that he can tackle more demanding mixing and recording projects.
“I mainly edit and comp in my studio and I can mix smaller projects and do ‘pre-mixes’ for bigger ones, just to have an idea of the sound I want to achieve later,” he explains. “However, I think everyone has a studio that feels like home and, for me, that is Mosfilm. All my major projects were recorded there, and I know the engineers and the equipment. Also, a lot of film music projects are recorded at the facility, so you get to meet actors and artists from all over the world.”
The Russian Collection: Twelve Moments will be released worldwide in the Autumn on the Melodiya label and will be promoting with a series of concerts. There is also a crowd funding campaign on Pledge Music enabling fans to buy it on pre-release in April.
|Prism Sound and SADiE Help Capture Gregorian Introits in Latin and English
A Lyra audio interface and SADiE 6 software delivered the perfect solution for a complex location recording project at Buckfast Abbey in Devon. . . . (11th June 2018)
|Prism Sound Appoints Sonic Lab as Its Distributor in Taiwan
Based in Taipei, Sonic Lab has an extensive customer base that encompasses local pro audio, broadcast and film scoring facilities. . . . (6th June 2018)
|Ralph Salmins Adds Prism Sound Conversion To the Bunker's Equipment List
The audio quality of Prism Sound's flagship ADA-8XR multichannel converter proved just too good to resist. . . . (1st June 2018)
|Carlo Camera Extols The Virtues Of Prism Sound Audio Conversion
The Italian mastering engineer has equipped his facility with a top of the range Prism Sound ADA-8XR because it offers no compromise A/D D/A conversion. . . . (9th May 2018)
|Prism Sound Boosts Its US Sales Force With Two Key Appointments
Eric Klein and Scott D Ray join the company to promote its world-renowned audio recording products. . . . (19th April 2018)
|Prism Sound's Lyra 2 Brings 'Off The Scale' Sound Quality to US Band UNA
American band UNA are delighted with their new Prism Sound Lyra 2 Audio Interface, which they won at NAMM after entering our prize draw competition. . . . (10th April 2018)
|Prism Sound brings recording studio quality to the Axpona Show with the Callia DAC
Visitors to Axpona will benefit from a 20% discount on the purchase of a Prism Sound Callia. . . . (28th March 2018)
|Prism Sound Sponsors AES Archiving, Preservation & Restoration Conference
The company's audio interfaces and converters are ideally suited to the quality demands of this important market. . . . (28th March 2018)
|Tim Gennert Centres His Mixing Environment Around Prism Sound
The company's Lyra 2 Audio Interface is giving this renowned producer and mastering engineer the accuracy he demands from pro audio equipment. . . . (18th February 2018)
|Audio Clicks, Errors And Dropouts Are No Longer A Problem With Prism Sound's Verifile
This exciting new technology, to be launched at NAMM 2018, is now incorporated as standard in Prism Sound's USB range of audio interfaces. . . . (23rd January 2018)
|The B-Side Project Remix Awards Head To Strongroom Studios For 2018
Now in its ninth year, this respected competition continues to provide a cross-genre platform for new artists with a heavyweight industry judging panel. . . . (11th January 2018)
|British Grove Studios Invests In Prism Sound PT-HDX Compatible Interface Cards
This highly respected facility can now guarantee that Pro Tools users will have access to high quality Prism Sound audio long into the future. . . . (2nd January 2018)
|Prism Sound Embraces ASIO Direct Monitoring (ADM) For Key Interface Products
The company's Award-winning Atlas, Titan and Lyra audio interfaces and SADiE workstation software can now deliver a more convenient, automated workflow. . . . (17th December 2017)
|Rare 78rpm Records Are Being Digitized Using Prism Sound Titan Audio Interfaces
This unique community project is aiming to create a digital reference collection of more than 400,000 sides of these delicate shellac discs. . . . (3rd November 2017)
|The Royal Northern College of Music Adds More Prism Sound Converters To Its Stock
This highly respected conservatoire has now deployed nine Prism Sound ADA-8RX multichannel converters across four recording studios. . . . (31st October 2017)
|Prism Sound's Titan Brings Unbeatable Sound Quality to George Gvarjaladze's Project Studio
The Georgian producer, composer and sound designer has invested in three Titan interfaces and linked them to his Pro Tools HDX system. . . . (13th October 2017)
|Prism Sound's Studio Sessions Take Interactive Learning To A New Level
The company is building on the success of its Mic to Monitor brand by introducing one-day hands on events in a recording studio environment. . . . (2nd October 2017)
|William Rowe Joins Prism Sound's Sales Team
A recent graduate from De Montfort University, Rowe is delighted to be part of this highly respected pro audio company. . . . (28th September 2017)
|La La Land's Composer Justin Hurwitz Chooses Prism Sound Conversion For His Own Studio
The company's Lyra Audio Interface is giving Hurwitz the flexibility to record solo instruments at home. . . . (20th September 2017)
Subscribe to this as an RSS Feed
See Also: News Archive